Dallas College - Dallas, Texas, USA, August 2023 - Present
A Hispanic-Serving Institution (HSI), Dallas College is a community college district that provides a range of academic programs. Among these offerings is an interior design program emphasizing foundational design principles, space planning, color theory, and material selection. Situated within Downtown Dallas, the heart of the city's business activities characterized by towering skyscrapers and corporate structures, the college is enveloped by a backdrop of historic edifices. Five years ago, I first set foot in Dallas. Living in this expansive yet intimate town in 2018 was a joy, and it's exhilarating to be back. The cityscape has evolved notably, with a surge in population and new housing developments. Now, working away from the main campus in a towering building amidst architectural gems from various periods is an absolute delight. From our classroom, my students and I can spot historical landmarks, allowing me to regale them with tales of events that molded this captivating city. The upcoming academic year promises to be thrilling...
Please see my course syllabi here.
Please see my course syllabi here.
Working in a Registered Historic Landmark - One Main Place, 1968
Referred to as the "Main Street District" the vicinity surrounding Main Street has a rich history as a central nucleus for commerce and finance. Iconic structures such as the Magnolia Building and the Mercantile National Bank Building, embodying architectural styles from the early 20th century, have played a role in shaping the city's financial persona. Completed in 1968, One Main Place is a versatile skyscraper encompassing both hotel and office spaces. Soaring to a height of 445 feet, it is the 27th tallest structure in Dallas. Crafted by the architectural firm Skidmore, Owings & Merrill, renowned for iconic structures like Chicago's Willis Tower and John Hancock Center, as well as Dubai's Burj Khalifa, One Main Place was masterminded by lead designer Gordon Bunshaft. Originally conceived in the 1950s as part of Dallas's first Superblock, the building's footprint, spanning 30,000 square feet, occupies only a third of the 2.4-acre property, and its 1.1 million-square-foot space features five subsurface levels connected to the Dallas Pedestrian Network, a 700-space parking garage, and recessed plazas for tenants' convenience. Since its completion, One Main Place has changed hands several times, currently owned by the KFK Group.
Steve Brown (The Dallas Morning News) wrote: in 1959, developers, backed by Dallas' affluent Murchison family, embarked on a transformative project in downtown's west side, acquiring and demolishing numerous old buildings. Their ambitious vision aimed to replace these structures with a cutting-edge complex of skyscrapers that would rival New York's Rockefeller Center. The initial plans for this grand endeavor were conceived by Columbia University's architecture department, with award-winning designers from Skidmore Owings & Merrill brought in to actualize the buildings for what was dubbed Dallas' "city of tomorrow". Plans for the even larger Two Main Place, spanning 50 stories and bridging Main Street, encountered delays when the project's driving force, developer W. T. Overton, was murdered by his estranged wife in 1970, halting the development. Eventually, the land was sold off for other purposes. While One Main Place thrived for years as a prominent business address, it fell into decline, with less than 50% occupancy by 2013 until it was transformed into the Westin Hotel in 2015 and became a historic landmark in the National Register of Historic Places.
Video source: texashistory.unt.edu
Steve Brown (The Dallas Morning News) wrote: in 1959, developers, backed by Dallas' affluent Murchison family, embarked on a transformative project in downtown's west side, acquiring and demolishing numerous old buildings. Their ambitious vision aimed to replace these structures with a cutting-edge complex of skyscrapers that would rival New York's Rockefeller Center. The initial plans for this grand endeavor were conceived by Columbia University's architecture department, with award-winning designers from Skidmore Owings & Merrill brought in to actualize the buildings for what was dubbed Dallas' "city of tomorrow". Plans for the even larger Two Main Place, spanning 50 stories and bridging Main Street, encountered delays when the project's driving force, developer W. T. Overton, was murdered by his estranged wife in 1970, halting the development. Eventually, the land was sold off for other purposes. While One Main Place thrived for years as a prominent business address, it fell into decline, with less than 50% occupancy by 2013 until it was transformed into the Westin Hotel in 2015 and became a historic landmark in the National Register of Historic Places.
Video source: texashistory.unt.edu
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Fall 2023 - First Year Students
INDS 1301 - Basic Elements of Design - Line Theory
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The Basic Elements of Design course at Dallas College focuses on fundamental design principles. It encompasses projects involving shape, line, value, texture, pattern, spatial illusion, and form, incorporating both 2-D and 3-D model construction. Our semester commenced with an exploration of the foundational element of 'line' and an ice-breaker exercise followed by a critique session! Line theory in design delves into the aesthetics and visual impact of lines, elucidating their pivotal role in crafting composition, texture, and motion within artwork, graphics, and architectural design. This knowledge is indispensable for both designers and artists, as lines serve as a cornerstone in conveying visual messages and artistic expression. It was a thrilling experience to observe the students engaging in drawing once again, possibly for the first time since their elementary school days. It's fascinating how, without regular practice, we all find the need to reacquaint ourselves with fundamental mediums and tools like colored pencils or markers. |
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INDS 1311 - Fundamentals of Interior Design - Freehand Sketching
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Freehand sketching skills hold immense importance in the field of interior design. These skills serve as a vital tool for designers to visually communicate their creative ideas and concepts to clients, team members, and contractors. Unlike computer-generated images, freehand sketches offer a quick and intuitive way to capture and convey design concepts, fostering real-time collaboration and ideation. They allow designers to explore spatial relationships, furniture placement, and aesthetic elements with a sense of artistic freedom and spontaneity. We're fortunate to study in a historical building, brimming with intriguing design elements to sketch. While learning about design tools - freehand sketching, bubble diagrams, concept boards, etc. - my students took a few minutes in the lobby to discover their freehand sketching skills for the very first time! Watching first-year students who have received no professional training to sketch, especially in the realm of perspective drawing with its unique techniques, is consistently delightful and highly enjoyable. |
INDS 1301 - Basic Elements of Design - Shape Theory
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Shape theory or shape studies, explores the characteristics, properties, and applications of different shapes in design, including their visual impact, aesthetics, and how they can be effectively utilized to create composition, balance, and meaning in various design disciplines such as graphic design, interior design, industrial design, and more. Understanding the principles of shape theory is essential for designers, as shapes play a fundamental role in creating visual communication and influencing the overall design's perception and effectiveness. Having been inspired by Daniel Libeskind and his unconventional design approach involving crumpling paper, we decided to awaken our inner Daniel and experiment with crafting design forms inspired by his work. Through this exercise, my students discovered that with the right guidance and training, we all possess the potential to create remarkable designs! Please click here to read a related article... |
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In their very first model making exercise, students tapped into their inner Daniel Libeskind through the art of paper-model making (as seen above). For their subsequent assignment, they were tasked with incorporating additional structures into their initial paper building. It's truly astounding how much can be accomplished in such a brief span of time - in your very first semester in college - and I couldn't be prouder of each and every one of them. Please click on each image to enlarge.
Student Profile - Lizeth Hernandez Ortega
Lizeth stands out as one of my most diligent students. Her meticulous attention to detail and boundless creativity makes her as an exemplary, top-performing design student. Over the past several months, I've had numerous interactions and engaging conversations with Lizeth, and I'm delighted to have her as a student in my classes. Lizeth wrote: 'I am Lizeth Hernandez, a first-year interior design student originally from Colombia. My decision to relocate to the United States was driven by a desire to expand my knowledge and understanding of interior design. Throughout my academic journey, I have engaged in dynamic interactions with experts in the field, fostering an experience that has not only enriched my understanding but also contributed significantly to my personal and professional growth. I hold a deep appreciation for creativity, adaptability, and a comprehensive understanding of the field of interior design. Despite facing language barriers as a native Spanish speaker, I am determined to continue learning and growing in my profession. Currently, I am in the process of exploring different schools to pursue my Bachelor's degree in Interior Design, contemplating the possibility of my studies in either Arlington or Austin. My ultimate aspiration is to obtain a Master's degree in Interior Architecture and Global Design in Europe. I believe that immersing myself in different cultures through travel will not only broaden my perspectives but also enhance my taste and creativity. Beyond the realm of interior design projects, I enjoy gardening, I have around 20 plants in my apartment. I feel this personal passion can integrate with my design work. I would encourage anyone who senses a strong calling toward a specific path to follow that feeling regardless of age, time, or insecurities. it is never too late to pursue your dreams and evolve into the person you aspire to be'.
Visiting a Registered Historic Landmark - Adolphus Hotel, 1912
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Named after St. Louis tycoon Adolphus Busch AKA King of Beer, who in addition to brewing beer, crafted a vast real estate and business empire, the Adolphus was conceived as a grand alternative to the aging Oriental Hotel. Unveiled in 1911 at a cost of $1.5 million, it was hailed as the world's most beautiful hotel and stood 20 stories tall, surpassing any building in St. Louis. Constructed with granite, brick, and limestone, the hotel boasted artesian wells and a basement power plant. Its Louis XIV-inspired architecture featured ornate details, including colossal bronze statues of night and morning gods and a turret resembling a beer bottle. Mr. Busch's mandate to the architect was clear: spare no expense in creating the country's most complete and perfect hotel. The Adolphus was an instant sensation, transporting Dallas residents to a world of old-world luxury. Over the years, it has played host to countless important gatherings, from football games to Big Band era parties, wedding receptions, and fine dining experiences. Like other iconic hotels such as San Francisco's St. Francis, Chicago's Drake, or Manhattan's Waldorf Astoria, the Adolphus holds a special place in Dallas's heart (as told by Steve Brown - Dallas Morning News). |
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There are over 100 registered historic landmarks in Dallas, Texas, including the Adolphus Hotel, which graciously welcomed my students and me on September 21st. This iconic establishment has a rich history, featuring a stunning chandelier acquired during the 1904 Chicago World Fair, a grand mirror from 1912 adorned with a carved likeness of Bacchus, the Roman God of Wine, captivating portrait paintings, renowned guests, and a plethora of magnificent halls and restaurants. Our visit to the Adolphus Hotel was a truly exceptional and enlightening experience thanks to Mr. Sam Tucker and Ms. Alexis, our tour guide. Such excursions to registered historic landmarks are of profound significance to interior design students. These sites serve as living classrooms, imparting invaluable lessons in architectural heritage and the evolution of design aesthetics throughout history. Students, while immersed in these spaces, develop a profound appreciation for the historical context, craftsmanship, and materials that characterized different eras, thereby enriching their design sensibilities. Such explorations also nurture creativity by exposing students to a wide spectrum of design aesthetics and challenge them to think critically about harmonizing the past with the present.
Visiting Registered Historic Landmarks - Kennedy Memorial by Phillip Johnson, 1970
Philip Johnson was a polarizing architect whose career encompassed both groundbreaking innovation and significant criticism. While he made enduring contributions to the realm of modern architecture and played a pivotal role in the development of the International Style, his later association with Nazi Germany and Hitler understandably raised concerns within the architectural community. Johnson's propensity to adapt and experiment with diverse architectural styles, often lacking a consistent ideological foundation, led some to perceive him as an architectural chameleon. However, regardless of these controversies, it is indisputable that Johnson left an indelible mark on the field of architecture, profoundly influencing the discourse and practice of 20th-century design. He was also known for his playful affinity for Texas, humorously referring to it as his favorite "country" due to the abundance of commissions he received in Texas.
Dealey Plaza, a historic landmark located in downtown Dallas, gained worldwide attention due to the tragic assassination of President John F. Kennedy on November 22, 1963, while his motorcade passed through the plaza. The plaza itself is situated at the western end of Dallas' central business district and is named after George Bannerman Dealey, a prominent Dallas newspaper publisher and civic leader. Architecturally, Dealey Plaza is characterized by a mix of neoclassical and Beaux-Arts design elements. One of the most prominent structures is the former Texas School Book Depository, now known as the Sixth Floor Museum at Dealey Plaza, from where Lee Harvey Oswald allegedly fired the shots that killed President Kennedy.
Philip Johnson was influenced by the International Style of architecture, which emphasized simplicity, functionality, and the use of modern materials such as concrete and glass. The Kennedy Memorial Plaza, with its clean lines and minimalistic approach, is a reflection of these principles. The design of the memorial is rich in symbolism; the four columns are meant to represent the freedom of Kennedy's spirit, while the open roof symbolizes a cenotaph, an empty tomb, as Kennedy's actual burial place is located at Arlington National Cemetery in Virginia. The memorial's starkness and abstraction are intended to evoke a sense of solemnity and contemplation. The tragic assassination of President Kennedy in Dallas deeply impacted Johnson, who was a friend of the Kennedy's. His design for the memorial sought to capture the somber mood and significance of the event while providing a space for reflection and remembrance.
Video source: texashistory.unt.edu
Kennedy Memorial, Dallas, Google Earth
Dealey Plaza, a historic landmark located in downtown Dallas, gained worldwide attention due to the tragic assassination of President John F. Kennedy on November 22, 1963, while his motorcade passed through the plaza. The plaza itself is situated at the western end of Dallas' central business district and is named after George Bannerman Dealey, a prominent Dallas newspaper publisher and civic leader. Architecturally, Dealey Plaza is characterized by a mix of neoclassical and Beaux-Arts design elements. One of the most prominent structures is the former Texas School Book Depository, now known as the Sixth Floor Museum at Dealey Plaza, from where Lee Harvey Oswald allegedly fired the shots that killed President Kennedy.
Philip Johnson was influenced by the International Style of architecture, which emphasized simplicity, functionality, and the use of modern materials such as concrete and glass. The Kennedy Memorial Plaza, with its clean lines and minimalistic approach, is a reflection of these principles. The design of the memorial is rich in symbolism; the four columns are meant to represent the freedom of Kennedy's spirit, while the open roof symbolizes a cenotaph, an empty tomb, as Kennedy's actual burial place is located at Arlington National Cemetery in Virginia. The memorial's starkness and abstraction are intended to evoke a sense of solemnity and contemplation. The tragic assassination of President Kennedy in Dallas deeply impacted Johnson, who was a friend of the Kennedy's. His design for the memorial sought to capture the somber mood and significance of the event while providing a space for reflection and remembrance.
Video source: texashistory.unt.edu
Kennedy Memorial, Dallas, Google Earth
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Exploring the Kennedy memorial with my class turned out to be even more thrilling than I could have anticipated. Discovering how Phillip Johnson personally inspected, assessed, and either endorsed or dismantled each precast concrete column before its installation brought a fresh perspective to my students' comprehension of quality control and project management, crucial skills for anyone in the construction industry.
Visiting Registered Historic Landmarks - Thanksgiving Chapel by Phillip Johnson, 1976
Thanksgiving Square, located in the heart of downtown Dallas, is a renowned urban park and religious landmark that serves as a symbol of gratitude and unity. The square was designed by philanthropist and developer Trammell Crow (real estate developer from Dallas). Its construction began in 1974 and was completed in 1976, making it a relatively modern addition to the city's landscape. Within the square, sits the Chapel of Thanksgiving, a spiral-shaped structure with a stunning stained glass spiral ceiling designed by artist Gabriel Loire. The chapel is open to people of all faiths and backgrounds, emphasizing the importance of gratitude and unity. Surrounding the chapel are beautifully landscaped gardens, including fountains and reflecting pools, which provide a tranquil oasis amidst the bustling city. The Square also features the "Ring of Thanks," a prominent white granite pedestal with a bronze sculpture and a constantly burning flame symbolizing gratitude (Google Earth).
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We are fortunate to have our workplace situated just a short five-minute walk from the chapel. Joining our class in visiting the chapel is a pure delight, and being able to immerse ourselves in such a tranquil and spiritual atmosphere alongside fellow creative individuals is consistently a gratifying experience.
INDS 1311 - Fundamentals of Interior Design - Color Theory
Creating a color theory concept board for interior finishes involves defining the objective, gathering inspirational materials, selecting a color scheme based on principles like complementary or monochromatic, choosing interior finishes such as paint colors and furniture, arranging these elements visually on a board for coherence, including texture and material samples, labeling and annotating details, considering lighting effects, reviewing and refining, and finally, using the board as a reference for implementing the chosen finishes in the actual space. The concept board serves as a valuable tool for conveying the design vision and guiding decision-making throughout the project. Observing students as they explored the textile and materials library and witnessed their design process and creative thinking unfold was a truly delightful experience.
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Visiting a Monumental Building - Fountain Place by I.M.Pei, 1986
We've been savoring the daily sight of Fountain Place through the canteen window in our classroom building, so it felt entirely instinctive to organize a class visit to the location. Fountain Place, a striking architectural marvel in Dallas, bears the illustrious signature of its designer, I.M. Pei, celebrated worldwide for his iconic creations such as the Louvre Pyramid in Paris and the Bank of China Tower in Hong Kong. Rising majestically to a height of approximately 720 feet (220 meters) across 60 stories, the building's design is characterized by a one-of-a-kind stepped, crystalline structure that gracefully tapers as it ascends. Its exterior is sheathed in green glass, imparting a distinct green hue that artfully evokes the imagery of a sparkling fountain. During its construction, Fountain Place was meticulously built with a reinforced concrete frame, and at its base, a grand atrium beckons with an exquisite indoor fountain, enhancing the building's singular design and aesthetic allure.
Visiting Registered Historic Landmarks - Dallas City Hall by I.M.Pei, 1978
Dallas City Hall, a product of the visionary architect I.M. Pei, stands as an iconic testament to modernist architecture, reaching completion in 1978. Its defining characteristic is the striking inverted pyramid design, where a central tower gracefully ascends from a broad, sloping base. The structure's essence is accentuated by the choice of concrete and glass as primary construction materials, accentuating its clean and minimalist aesthetic. Inside the City Hall, a grand atrium unfolds, adorned with a dramatic spiral staircase and bathed in abundant natural light, creating an inviting and functional civic space. I.M. Pei's design for Dallas City Hall not only symbolizes the city but also marks a pivotal moment in the evolution of modern architecture, showcasing a harmonious blend of artistic vision and structural innovation.
Mariza Morin (Dallas Public Library) wrote: 'in the wake of the tragic assassination of President John F. Kennedy in 1963, J. Erik Jonsson, a co-founder of Texas Instruments, assumed the role of Dallas mayor in 1964, driven by the mission to restore the city's tarnished reputation. Under his leadership, the 'Goals for Dallas' initiative was launched, sparking public discourse on the city's future and igniting plans for a new city hall. The selection of the esteemed architect I.M. Pei in 1966, a departure from his prior work, exemplified his commitment to understanding Dallas deeply by engaging its residents and immersing himself in local affairs. Overcoming various challenges, including the acquisition of additional land and resistance to Pei's unconventional design, the project culminated in the realization of Dallas City Hall in 1978. The building's bold and contemporary design, featuring the iconic inverted pyramid and a captivating rooftop, became a symbol of Dallas' resilience and forward-looking spirit' (Google Earth).
Mariza Morin (Dallas Public Library) wrote: 'in the wake of the tragic assassination of President John F. Kennedy in 1963, J. Erik Jonsson, a co-founder of Texas Instruments, assumed the role of Dallas mayor in 1964, driven by the mission to restore the city's tarnished reputation. Under his leadership, the 'Goals for Dallas' initiative was launched, sparking public discourse on the city's future and igniting plans for a new city hall. The selection of the esteemed architect I.M. Pei in 1966, a departure from his prior work, exemplified his commitment to understanding Dallas deeply by engaging its residents and immersing himself in local affairs. Overcoming various challenges, including the acquisition of additional land and resistance to Pei's unconventional design, the project culminated in the realization of Dallas City Hall in 1978. The building's bold and contemporary design, featuring the iconic inverted pyramid and a captivating rooftop, became a symbol of Dallas' resilience and forward-looking spirit' (Google Earth).
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I've been intending to bring my students to visit the City Hall in Dallas, designed by the renowned architect I.M. Pei, for quite some time. While initially, appreciating brutalist architecture can be challenging for students just starting college, it was delightful to witness their enthusiasm as they explored various aspects of this iconic structure. To our surprise, we crossed paths with Mr. Arturo Del Castillo, the chief urban designer, who graciously shared the building's history, the challenges it faces, and recommended key areas to explore. It's intriguing how, despite being constructed at different times and in different architectural styles, this building evokes memories of the Barbican in London, where I previously worked. The use of concrete, the imposing and robust construction, and even the typeface used for signage bear striking resemblances to the Barbican.
Student Profile - Anna Terrill
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Anna stands out as one of the most detail-oriented individuals I've ever had the pleasure of knowing. I've appreciated her unwavering focus on the course material and have been impressed by her inquisitive nature and the multitude of questions she poses. Anna wrote: ‘my name is Anna Terrill, I am a first-year interior design student originally from Austin, Texas. I completed my undergraduate degree in Retail Management from Texas Tech in Lubbock and moved to Dallas shortly after graduation. After working for a few years in unfulfilling jobs, I realized I wanted to follow my interest in interior design and get formal training in the field. I have always been drawn to anything surrounding aesthetics, design, and creativity, and realized that interior design caters to my strengths while being thoroughly enjoyable and stimulating for me. One project I am particularly proud of is my interior drafting final project, where we were given a full set of construction documents and assigned to recreate them, hand drafted in micron pen. The project consisted of 11 pages of plans and took weeks of meticulous dedication to complete. I have thoroughly enjoyed my time at Dallas college so far – it has been challenging, fulfilling, and exciting to return to school in an area I am truly passionate about. I have a curiosity and motivation that I did not have while studying my previous major. After graduation, I hope to work for a boutique commercial interior design firm specializing in restaurants, hotels, and retail spaces. I also plan on taking the NCIDQ exam after graduation once I am eligible. Outside of work and school, I love thrifting and antiquing – I love to find used items and bring them back to life in new ways, with both decor and fashion. I also love to cook and experiment with new recipes. I would encourage all incoming students to never skip class and pay attention to their professors – a lot can be said (and missed) during class time. Getting to know your professors, asking questions, and turning in work on time will take you a long way'.
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INDS 1301 - Basic Elements of Design - Serial Planes Model Making
Architectural serial planes models are typically used for design and visualization purposes in the field of architecture and interior design. These models are physical representations of a building or interior space that are created to help architects, designers, and clients better understand and evaluate a proposed design. Learning about architectural serial planes is highly significant for architecture students as it provides them with a fundamental understanding of spatial organization, design principles, and the art of translating two-dimensional drawings into three-dimensional spaces.
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Student Profile - Alison Pedroza
Ms. Alison Pedroza stands out as one of my most imaginative students, radiating a delightful personality, a fantastic sense of humor, and a contagious smile that makes collaborating with her an absolute pleasure. Alison wrote: "my name is Alison Yamaira Pedroza and I am currently a freshman in college studying interior design. I had planned my career path since 8th grade, to enter the medical field and attend Oxford University. However, COVID-19 changed everything during my sophomore year. With online classes, I struggled to keep up and eventually lost interest in my studies. I ended up dropping out of the medical field and was left feeling lost about my future. I've been beating myself up every day for not knowing what I want to do. I was looking for a job that I'm passionate about but with good pay. After months of feeling lost about my future, I considered finishing school and taking up any random job. But one day, my dad suggested ‘you enjoy decorating your room, right? Why don't you become an interior designer?’ So, I decided to study interior design in my last year of high school. Ever since that first class, I couldn't imagine myself pursuing anything else. Now, I am working hard to earn my associate degree and turn interior design into my lifelong career. In the future, I hope to work in Singapore. I have fallen in love with their greenery and Eco-friendly initiatives. My advice for future students is that although life can be tough and uncertain, it's important to keep trying and exploring different paths. If you're feeling lost or unsure about your future, don't be afraid to take risks and try new things. It may require hard work and time, but the rewards can be significant. Remember that you have nothing to lose, and sooner or later, you'll discover what truly makes you happy".
Visiting Registered Historic Landmarks - Neiman Marcus by George Dahl, 1914
The Neiman Marcus Building in downtown Dallas, Texas, is a historic commercial structure that serves as the corporate headquarters and flagship store of Neiman Marcus. It is the last remaining original department store in downtown Dallas and is listed on the National Register of Historic Places as part of the Dallas Downtown Historic District. The building was designed to replace a previous Neiman Marcus store that had burned down in 1913. It opened in 1914 with four floors and was designed to be fireproof and expandable. In 1926, an identical four-story addition was built, doubling the retail space and enhancing the store's design. In 1931, the building was air-conditioned in a notable feat. Over the years, the store underwent several expansions, including the addition of two floors in 1951-1953 and a seventh floor in the late 1950s. In 1964, a significant fire caused substantial damage but didn't destroy the building. It reopened just 27 days later. In 1983, two more floors were added.
George Dahl was primarily associated with modernism but demonstrated versatility by incorporating elements of Art Deco and Streamline Moderne in some of his designs. His most famous works include the Hall of State in Fair Park, characterized by Art Deco influences, and the iconic Dallas City Hall, a modernist masterpiece completed in 1978.
George Dahl was primarily associated with modernism but demonstrated versatility by incorporating elements of Art Deco and Streamline Moderne in some of his designs. His most famous works include the Hall of State in Fair Park, characterized by Art Deco influences, and the iconic Dallas City Hall, a modernist masterpiece completed in 1978.
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It took us approximately 10 minutes to stroll from the campus to the awe-inspiring Neiman Marcus store located in Downtown Dallas. While marveling at the grandeur of the store's exterior, we entered just in time to receive a warm welcome from Mr. Alfonso Serrano, who serves as the Manager of Visual Merchandising. Mr. Alfonso graciously introduced us to his assistant, Mr. Ray, who generously offered us a comprehensive architectural tour of the building. Mr. Ray's wealth of knowledge went far beyond what one could find in any written works. His numerous interactions with renowned public figures, clients, and customers not only made him an exceptional oral historian but also a captivating storyteller. It was an absolute delight to accompany him throughout the store and listen to his engaging narratives.
INDS 1301 - Basic Elements of Design - Model Making - The Chair
Using recycled cardboard for the model making projects is an Eco-friendly and practical choice. It promotes sustainability by reducing the demand for new raw materials and lowering the environmental footprint associated with cardboard production. By repurposing recycled cardboard, we help divert waste from landfills, conserve natural resources, and decrease energy and water usage. Recycled cardboard is cost-effective, readily available in various forms, and allows for easy customization. It's a versatile and environmentally responsible option for model making, making it ideal for those looking to create models that align with their sustainability values, educate others about recycling, and raise awareness of environmental issues. My students honed their design and construction skills by crafting a cardboard model chair, which would eventually serve as the prototype for a full-scale, life-sized version.
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Walking Around the Neighborhood... the Wilson Building, Downtown Dallas, 1904
The Wilson Building, originally constructed as an eight-story marvel by J.B. Wilson in 1902-1904, is a cherished landmark in Dallas. Adjacent to it stands a twelve-story companion known as the "New Wilson Building" or the "Titche-Goettinger Annex" built in 1911. These historic buildings continue to grace the Main-Ervay-Elm intersection. The original Wilson Building was home to the Titche-Goettinger department store and served as a prominent downtown office complex; I feel fortune to be walking by this structure everyday before going to work. Click here to learn more...
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INDS 1311 - Fundamentals of Interior Design - Color Theory
Color theory was developed by various individuals over time, including Isaac Newton, Johann Wolfgang von Goethe, Albert Munsell, Johannes Itten, and Josef Albers. They explored the science and psychology of color, leading to the development of color systems, concepts of color harmony, and insights into color interactions. In design, color theory plays a crucial role. Designers use it to create aesthetically pleasing and effective visual compositions. They consider factors like the color wheel, color contrast, color temperature, and cultural associations to convey specific messages and emotions. Understanding and applying color theory is essential in graphic design, interior design, fashion, and various other design disciplines to achieve visual balance, communicate effectively, and elicit desired emotional responses from the audience.
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INDS 1301 - Basic Elements of Design - Full-scale Prototype Model Making
After completing the small chair model, students began crafting a life-sized replica out of cardboard; this project served a dual purpose: firstly, it highlighted the significance of teamwork and collaboration, and secondly, it provided a lifelike representation of the model for diverse applications, including the assessment of its design, ergonomics, and functionality prior to mass production, or as a showcase piece in a showroom. Witnessing everyone's collective brainstorming and the eventual development of a practical method to construct a significantly larger cardboard chair using basic tools was a truly enjoyable experience.
Construction process...
Completed project(s)...
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Assembly, display and recycling...
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DHome Visionary Awards 2023
Myself and four of my accomplished students had the honor of participating in the second annual Visionary Awards hosted by D-Magazine on Thursday, November 9, at On The Levee in Dallas. The awards spotlighted outstanding interior designers, custom home builders, and residential architects who have demonstrated innovation in the Emerging and Prestige categories within their respective fields. We express deep gratitude to D-Home for their generous contribution to the El Centro Center for Design Fund, as they dedicated a portion of the event's proceeds to support 'the future generation of Dallas designers'.
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Walking Through the Neighborhood... Dallas Underground Tunnels!
Dallas has an extensive network of underground tunnels known as the "Dallas Pedestrian Network." These tunnels cover about 36 city blocks in the downtown area and were developed to provide relief from the Texas heat and promote downtown development. The tunnels connect various buildings, public transportation hubs, and amenities, making it convenient for workers and visitors to move around. They are climate-controlled and typically operate during business hours on weekdays, however, navigation can be challenging without a map or wayfinding signs. While open to the public, the tunnels are primarily intended for downtown workers and residents. The network continues to evolve, so it's best to check for the latest information if you plan to explore them. We've been relying on these tunnels in Dallas while exploring various historical buildings in the city, and they are indeed a lifesaver when the temperatures soar above 100 degrees or when it's pouring outside. We had fun exploring some of the tunnels - and the skybridges - with my students, making our way to Comerica building in the process.
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Visiting Historic Landmarks - Comerica Bank by Phillip Johnson, 1987
The Comerica Bank Tower in Dallas is a distinctive skyscraper characterized by a traditional three-sectioned design with upper-level setbacks. It features an art deco style with a modern interpretation of a barrel vault throughout the structure. The first five floors house a banking and stock exchange hall with a vaulted ceiling. The building includes a three-level underground parking garage and is connected to the Elm Street Garage, providing 1,530 parking spaces. The tower is a prominent element in the Dallas Pedestrian Network and has retail spaces below ground. On the downside, the building has faced criticism for its street-level urban environment, with a lack of retail and imposing polished granite and glass walls. The west side entrance plaza isolates the building rather than creating a public space. The tower stands 60 stories tall and is the second tallest skyscraper in Dallas. It was designed by architect Philip Johnson and is known for its exceptional craftsmanship and the use of high-quality materials. It offers premium office space and is considered one of the most remarkable buildings in the world, defining the Dallas skyline. Of course, we organized a short field trip to the site, which conveniently was just a couple of blocks from the campus. It was a delightful experience witnessing my students' awe at the extensive use of stone in the building's interior. The towering Roman arches, along with the subtle accents of gold and copper, added to the building's overall magnificence.
Visiting Historic Landmarks - St. Jude Chapel, 1968
The profound influence of Roman tiles and mosaics on their modern counterparts extends to both design aesthetics and technical execution. Geometric patterns, symmetrical designs, and vibrant color palettes characteristic of Roman mosaics have inspired contemporary tiles, often featuring similar elements with a modern twist. My vivid recollection involves studying Roman Tessares during my doctoral program and having a transformative experience visiting Venice's St. Mark's Cathedral. As an interior design student, understanding tiles from both technical and artistic viewpoints is crucial, especially in the selection and acquisition of tiles for kitchen and bathroom spaces, integral to any residential project. First-year students benefit from exposure to this significant craft, as exemplified by our exploration of the exquisite St. Jude Chapel in downtown Dallas. Dedicated to the patron saint of hopeless causes in 1968, the chapel was envisioned by local businessman Arthur C. Hughes and designed by architect Eugene Boerder. The lovely stained glass windows were produced by Cavallini. The mosaic, designed by MIT Professor Gyorgy Kepes, comprises over 800,000 pieces of smalti tile in 28,000 colors. Crafted by Venetian Art Mosaics Inc., the mosaic underwent meticulous restoration in 2017, with original glass smalti slabs located and utilized to fill missing spots, ensuring the mosaic's brilliance for another 50 years (learn more...). According to chapel's website, the breathtaking 'stained glass windows, as the Fourteen Stations of the Cross, relate the suffering and death of Our Lord, a death that brought life to us all as He rose from the dead'. Learn more here...
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Visiting Historic Landmarks - The Jule Hotel, 1927
During my doctoral studies, I had the opportunity to explore the enchanting island of Murano off the coast of Venice, where I delved into the rich history of glass, particularly colored glass - an integral part of my research. Upon relocating to Dallas, I discovered the remarkable Joule Hotel, built in 1927 and renowned for its stunning glass mosaics (and the 10-th floor pool designed by ARCHITEXAS). The neo-Gothic landmark building at 1530 Main Street was originally the Dallas National Bank. It dominated the downtown skyline during a thriving era of Dallas banking and West Texas oil booms. Downtown Dallas flourished through the 80s, but as the 20th century drew to a close, it was a shadow of its former glory. A decade of development deals and massive renovations transformed the then-vacant bank building into a Forbes four-star boutique hotel. The public areas, ballrooms, and hallways of The Joule showcase over 70 large-scale mosaics crafted by mid-century artist Millard Sheets. The intricate designs, comprised of glass tiles from Murano, underwent meticulous restoration by Michael van Enter, a South African conservator based in Dallas, showcasing a fusion of artistic heritage and contemporary preservation techniques. Fortunately, our main campus is only a few blocks away from the hotel, allowing my class and me the delightful opportunity to visit and appreciate the mosaic panels in the lobby. Learn more here...
INDS 1301 - Basic Elements of Design - Texturing Practice
Following a visit to the charming St. Jude Chapel and the Jule Hotel, where we explored the history of tiles/glass tiles, we began working on a texture-making project involving experimentation with air-dry clay. The tactile and visual appeal of textured clay contributes to the overall sensory experience and the ability to integrate clay tiles with other materials demonstrates a designer's versatility. Understanding the cultural and historical significance of clay adds depth to designs, while the use of this natural material aligns with sustainable design practices. The hands-on learning involved in working with clay provides practical skills beyond theoretical knowledge.
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Spring 2024
Christmas Break & the Chicago Architecture Center
I find it fascinating that despite residing in Chicago, I had never ventured into the architecture center until now! While the center itself is a remarkable source of inspiration, the true highlight of my day was the building it occupies. The Chicago Architecture Center (CAC) building, formerly known as the Chicago Architecture Foundation (CAF) building, was meticulously designed by the renowned Chicago-based architecture firm Adrian Smith + Gordon Gill Architecture. Situated at 111 East Wacker Drive alongside the picturesque Chicago River, it proudly serves as the headquarters for the Chicago Architecture Center, a nonprofit organization devoted to celebrating the architectural marvels of Chicago and fostering public appreciation for architectural design. If you find yourself in Chicago, be sure to pay a visit, as the center showcases some truly innovative and captivating projects and the entrance fee is often waved during the holidays.
Our Move to El Centro!
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We have successfully relocated to the historic El Centro campus, bidding farewell to the breathtaking views from One Main. Embracing the vibrant atmosphere with students from various departments is invigorating! Our new location is within another registered historic structure in Dallas - the Sanger Brothers Department Store - and we owe special thanks to Mr. Matthew Williams, an outstanding member of our IT team, who provided me with captivating images of the college dating back to the 1970s. The Sanger Brothers Department Store was a prominent retail establishment that operated in Dallas during the late 19th and early 20th centuries. The Sanger brothers, Alexander and Isadore, founded the store in 1872. The original Sanger Brothers Department Store building was constructed in 1895 and became a significant retail destination in the city. In the mid-20th century, as part of the urban development plans for downtown Dallas, the original Sanger Brothers building was replaced with a new structure. This new building eventually became the El Centro Campus of Dallas College, which officially opened its doors in 1966.
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The Ball Chair (as seen above, right in the center of the first floor in El Centro) and the Egg Chair are both iconic pieces of furniture design from the mid-20th century. The Ball Chair, created by Finnish designer Eero Aarnio in 1963, features a spherical shape and a swiveling base, providing a unique and futuristic seating experience. Aarnio's design reflects the avant-garde style of the 1960s and has become a symbol of mid-century modern furniture. On the other hand, the Egg Chair was designed by Danish architect and designer Arne Jacobsen in 1958 for the SAS Royal Hotel in Copenhagen. With its distinctive egg-shaped form, high backrest, and swivel base, the Egg Chair offers both comfort and aesthetics. Jacobsen's emphasis on both design and ergonomics has made the Egg Chair a timeless classic, transcending its original hotel context to become a sought-after piece in various settings. Both chairs have left a lasting impact on the world of furniture design, showcasing the innovative and influential work of their respective designers (images).
Ever since the School of Interior Design moved to the El Centro campus in downtown Dallas, I've found myself frequently gazing at the nearby McDonald's. Although I haven't determined its construction date, the structure bears striking similarities to the third oldest McDonald's located in California. Its design, blending elements of Streamline Modern and Googie architecture, is particularly notable for its towering golden arches, reminiscent of the iconic features found in early McDonald's establishments. 'Googie architecture is a distinctive style that emerged in the mid-20th century in the United States, particularly in Southern California. It is characterized by futuristic and space-age elements, featuring bold geometric shapes, upswept roofs, exaggerated angles, and neon signs. The style often incorporates themes of motion, speed, and optimism, reflecting the era's fascination with technology, space exploration, and automobile culture. Googie architecture flourished in the 1950s and 1960s, primarily in diners, motels, gas stations, and coffee shops, aiming to attract customers with its eye-catching and whimsical designs. Although it fell out of favor in the late 20th century, Googie architecture has experienced a revival in recent years, with preservation efforts and renewed appreciation for its unique contribution to American architectural history and pop culture'.'The third McDonald's restaurant in Downey, California, which opened in 1953, epitomized the emerging fast-food culture with its streamlined design featuring the iconic golden arches, symbolizing the franchise's expansion and standardization under Ray Kroc's leadership. This McDonald's represents the advent of franchised fast-food restaurants and the cultural shift towards car culture and suburbanization in mid-20th-century America. Preserved as a museum and community center today, it serves as a tangible reminder of the profound impact of fast food on American society and architectural history'.
3rd oldest operating McDonald's store in Downey.
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Streamline Moderne was immensely popular in the 1940s, with architect A.S. Arrasmith emerging as a prominent advocate, responsible for designing over 60 Greyhound stations characterized by their exceptional post-Deco elegance. Another notable structure adjacent to the campus is the Greyhound station, a registered landmark, with origins dating back to the early 20th century. Initially erected in 1940, this station served as a pivotal transportation nexus for Dallas, linking it to various destinations throughout Texas and the United States. Across its storied history, the station has borne witness to significant developments, mirroring the transformations in transportation and urbanization within Dallas. The station's architectural design, steeped in the Art Deco style prevalent during its inception, features sleek lines, geometric forms, and ornamental flourishes emblematic of its era. Sadly, like many other stations, this one is also closing as it was recently sold to Twenty Lake Holdings, a real estate investment company. Read more here...
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The Dallas station photographed by Steve Minor (Flicker.com)
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INDS 2321 - Presentation Drawing
The course Presentation Drawings serves as an initiation into the realm of two and three-dimensional presentations. Students initiated their class by mastering the art of basic sketches using a black pencils. Subsequently, they progressed to crafting vibrant drawings, using colored pencils and architectural markers.
Work in Progress
Highlighted Projects
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INDS 2313 - Residential Design I
Residential Design I, typically taken in the second semester, engages students in the exploration of living spaces, including client needs analysis, adherence to standards and building codes, space planning, drafting, and presentation techniques. Through a combination of lectures (2 hours) and hands-on studio sessions (4 hours), students explore various aspects of residential design. This course stands out as exceptionally comprehensive, urging students to integrate their technical and presentation skills acquired in the previous semester into a unified project. They have the freedom to use a variety of software including Photoshop, CAD, Sketchup, and various mood-board generating software. In the initial phase of this project, students delivered impressive presentations regarding their clients' expectations, with a particular focus on accessibility and sustainability. Following this, they constructed a conceptual model and a set of construction documents, which adorned the walls of our humble department. The final presentation vividly demonstrated the students' proficiency in presentation skills, public speaking, and project management. I am immensely proud of each and every one of my students for their achievements throughout their first year in college and I'm excited for what's to come!
Technical Skills - Construction Documents - Ms. Diana Montenegro
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Outstanding Design - Accessibility Highlight - Ms. Gabriela Nieves
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Final Presentations
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Final Project Display
INDS 2321 - Presentation Drawing - Mid-term Project - Freehand Drawing
The semester is well underway, and we're off to explore another remarkable building in downtown Dallas. Here, students will focus on drawing a single image in perspective for their midterm project.Do you remember the movie RoboCop - 1987? 'Plaza of the Americas (by Harwood K. Smith) is where the movie was filmed! It is a major commercial complex in the City Center, adjacent to DART's Pearl Station and connected to the Dallas Pedestrian Network. The complex features several amenities connected by an enclosed 120,000 sq ft (11,000 m2) including the atrium which rises 13 stories above the lowest level. The $100 million Plaza of the Americas, announced in 1977, was one of the first mixed-use developments in Dallas designed around an enclosed atrium. The design featured dark gray glass cladding for twin office towers contrasted with poured in place concrete for the hotel and garage. Construction on the 5.5-acre (2.2 ha) site began in 1978 and finished in 1980. In 1989 plans changed to increase the building to 42-stories, but the structure was never built. The complex became a hub of the Dallas Pedestrian Network when sky-bridges connected Plaza of the Americas to Bryan Tower, Sheraton Dallas Hotel and Chase Tower.The complex was sold and renovated in 1990'. Google Earth
ACUE Training
I deeply appreciate Dallas College for offering their faculty the chance to pursue additional educational training. The Association of College and University Educators (ACUE) is an organization focused on improving teaching and learning in higher education.
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Accessible Buildings
Cassandra, my exceptional student, and I recently explored and surveyed our newly relocated campus, aiming to identify accessible entry points and distinctive features defining our surroundings. Emphasizing the importance of accessibility in our design curriculum is paramount, particularly considering that many of our graduates will inevitably be involved in converting numerous existing office spaces into residential units across Dallas. Accessibility holds a pivotal role in the future of building design, influenced by demographic shifts, legal obligations, social consciousness, economic advantages, technological progress, resilience, and market distinction. With an aging population, ensuring accessible buildings becomes crucial to cater to diverse needs. Legal mandates highlight the imperative of inclusivity, while socially responsible design addresses equity and societal cohesion. Investing in accessibility not only reduces costs but also enhances long-term value and market competitiveness. Technological advancements facilitate the integration of accessibility features, making them more feasible and effective. The Americans with Disabilities Act (ADA), enacted in 1990, marked a significant step in promoting accessibility by mandating equal access to public spaces, including transportation, buildings, and sidewalks, for individuals with disabilities.
An Amazing Public Space in Downtown Dallas
Erik Jonson Public Library proved to be an intriguing experience, offering a vast and highly functional space. Although primarily frequented by the homeless, like many public libraries, it remains a notable architectural gem. Its strategic location provides clear vistas of prominent structures, including City Hall, adding to the enjoyment of the visit. The new library, standing at ten stories tall with eight above-ground levels and two below-ground, embodies modernist architectural principles. Its design draws inspiration from the nearby Dallas City Hall, reflecting a cohesive urban aesthetic. Designed by F&S Partners and inaugurated in 1982, the library is named in honor of J. Erik Jonson, renowned as a Texas Instruments co-founder and former Dallas mayor. In reflecting on the city's built environment, Jonson aptly remarked, "The city is our greatest material accomplishment. There is no reason why it should be disorganized, inefficient, unpleasant or ugly. It should, indeed, be our greatest work of art". Concrete is a central material in both brutalist and modern architecture, valued for its structural integrity, versatility, and expressive potential. In brutalism, it's often left exposed, showcasing its raw aesthetic, while in modern architecture, it's used for its ability to create geometric forms and clean lines. Concrete's texture and surface finish - which is my favorite - can vary, from rough and textured to smooth and refined, allowing architects to achieve different visual effects. It's often combined with other materials like glass or steel to create striking compositions. Concrete is also environmentally sustainable (but not so green) offering thermal mass and energy efficiency.
*Historic images - source
*Historic images - source
Visiting AD EX Dallas
Despite our unsuccessful attempts to arrange a tour of AD EX Dallas via email, located just a few blocks away from the main campus, we fortunately managed to visit in person and explore their engaging Lego exhibit. AD EX Dallas, born from the merger of AIA Dallas and the Architecture and Design Foundation, aims to be a dynamic hub for architectural discourse and creativity in Dallas. Housed in a centrally located downtown building, the space underwent a renovation led by Omniplan to create a versatile environment spanning two floors. The first floor caters to public programs, including a Design Learning Lab and a reception area, while the second floor serves as the headquarters for AIA Dallas, featuring administrative offices and conference rooms. The AD EX is located in Downtown Dallas on the first floor of Republic Center at the corner of St. Paul Street and Pacific Avenue and offers free admission... (learn more...).
Student Profile - Emily Niemeyer
Please meet Emily! It's an absolute pleasure to have such a detail-oriented student, who dedicates herself to excellence in every project. Emily wrote: 'my name is Emily Niemeyer. I was raised in the northwest suburbs of Chicago, IL, and have been living in Texas since 2017. As a first-generation college student with limited family members holding college degrees, my determination to pursue higher education has always been fueled by this background. For a while, my academic journey felt endless. Since graduating high school in 2012, I switched majors several times and attended multiple colleges and universities in the US and abroad, all in the pursuit of finding my passion. In 2016, I believed I found my calling when I started working in the veterinary field. However, three years later, I decided to return to school to become a licensed vet tech, but COVID-19 interrupted my studies during the second semester. Since the vet tech program was a heavily hands-on learning experience, the transition to online classes made it extremely difficult to stay motivated and the quality of learning just didn’t compare, and I ultimately dropped out with plans to return once in-person classes resumed. The isolation during this period allowed me to deeply contemplate my long-term aspirations, leading to uncertainty about whether veterinary medicine was truly the path I wished to pursue. Despite feeling lost, I remained determined to discover a vocation that truly resonated with me. In 2021, during a visit home to see my parents, I stumbled upon an old diary from 5th grade. The pages were filled with drawings and creative ideas I had at the time, but one particular sketch stood out: a design layout I had envisioned for my bedroom. Little did I know that this drawing would be the catalyst that propelled me towards pursuing interior design. Although I didn't recognize it as a career path until later in life, fond memories of watching HGTV with my mom, collaborating on DIY projects with my dad, and exploring Chicago's architecturally rich neighborhoods with my parents, revealed that interior design and architecture had always held a special place in my heart. What captivates me about the interior design program is its hands-on approach, fostering creativity and immersion. My time at El Centro College has been enlightening and enjoyable, with supportive professors helping me overcome imposter syndrome. Although I plan to transfer to UTA's interior design program this fall to pursue a bachelor's degree, I cherish the foundation laid at El Centro, which has prepared me for the next phase of my academic journey. To incoming students, I would say: Don't let the uncertainty about your future path hold you back from exploring various interests. It’s okay to change your mind and then change it again and again and again. Trust in the journey, persist through challenges, and embrace the process, even if things don't unfold as initially planned'.
The Interior Design Show
As is customary to host an end-of-the-year exhibition showcasing students' semester-long achievements, Dallas College has opted to include the Interior Design Department into this year's event for the first time. Over the past week, I've sifted through hundreds of images capturing my students engrossed in various projects from the previous semester. Although I wish I had known about the exhibition a bit sooner, I'm thrilled to contribute to the promotion, celebrating the program and the fantastic individuals within the department. If you find yourself in town on April 24th, we cordially invite you to drop by and explore our exquisite third-floor classrooms and facilities. We're eager to greet you in person!
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The Solar Eclipse in Dallas!
We had an amazing time on campus during the extraordinary solar eclipse in Dallas. This rare total solar eclipse traced a narrow path across the United States from southwest to northeast. Experiencing a total solar eclipse in Dallas was truly a first for me. The path of totality, where the moon completely blocked out the sun, traversed states including Texas, Oklahoma, Arkansas, and more. This remarkable event captured the interest of astronomers, sky-watchers, and the public alike, as total solar eclipses are captivating and infrequent celestial occurrences.
A Surprise Birthday Celebration!
I'm blessed with an amazing group of students - kind, thoughtful, and wonderful - who fill me with excitement about going to work every day. This spontaneous birthday celebration was just the break we all needed, a chance to relish each other's company before the semester wraps up in about two weeks. I'm also incredibly thankful for my colleagues who truly make our small department the most enjoyable place to work :)
INDS 1491 - Special Topic Course - Residential Remodeling
The advanced course INDS 1491 is tailored for graduating students. The course features various objectives: students will grasp the dynamics of team collaboration, understanding the allocation and organization of team responsibilities. And their work will showcase proficiency in crafting environments influenced by diverse disciplines, stakeholders, and client preferences to deliver innovative design solutions. They will also learn to interpret and effectively communicate data and research findings. The following documents were created by one of our talented students, Ms. H. Bolin.
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Fall 2024
Welcome Back!
We're gearing up for the new semester with around 50 new students joining our program, which is thrilling for what used to be considered a 'small department.' We’re also excited to welcome three new part-time colleagues to our team, who will help us tackle the ambitious plans and goals we have set for the 2025/2026 academic year. Over the summer, I had the opportunity to visit a few historically significant sites, including the Madonna Della Strada Chapel on the Loyola University campus in Chicago. The chapel, located on Loyola University Chicago's Lake Shore Campus in Rogers Park, is named after a painting of the Virgin Mary housed at the Church of the Gesù in Rome.
The chapel was designed by architect Andrew Rebori in the Art Deco style. The chapel's artworks, including those by Edgar Miller, were created by various artists. Rebori and Miller are perhaps best known for designing the Fisher Studio Houses (Google Maps), a complex of 12 art moderne style residential units in Chicago. The houses were designed in 1936 for Frank Fisher, Jr. and became a designated Chicago Landmark on July 31, 1996. Learn more here...
INDS 1301 - Ice Breaker!
In our Basic Elements of Design (INDS 1301) class, my students explored and recreated artwork inspired by the British artist Jo Hummel. Jo Hummel, born 1982 in the UK, graduated from the Royal College of Art in 2006. Her work is characterized by its painted and paper surfaces, where she applies spontaneous variations in space, color, and form. Her approach is grounded in reductionism, evident through the use of symbols, symmetry, and repetition. Color plays a crucial role in Hummel’s art, valued for its subjective sensory impact and its ability to transcend psychological boundaries. Residing on the Isle of Wight, a UNESCO biosphere reserve, she utilizes natural dyes made from wild plants and coastal pigments gathered near her studio. Hummel views paper as a domestic and ephemeral material, shaped with urgency through everyday tools like scissors and knives. This process reflects the nature of collage, where each work is in a state of flux. Working within structured systems and repetitive rituals, Hummel explores the unpredictability of spontaneity, with each piece acting as a gateway into subjective experience. Her sculptural paintings, often extending beyond the canvas, are crafted using primitive techniques such as weaving, marquetry, joinery, and layering. Recreating student artwork inspired by accomplished artists helps students develop a deeper understanding of artistic techniques and concepts. It allows them to study and emulate the styles and approaches of established artists, fostering technical skills and creative expression.
Student Profile - Eleanor Rose Bowling
Eleanor is one of the most creative students of the 2024-2025 academic year. It's a delight to have a dedicated student who surpasses project expectations by thinking outside the box. I’m excited to see what she’ll come up with for future projects! Eleanor wrote: “Hello, my full name is Eleanor Rose Bowling, but most just call me El. I'm a second-year interior design major. I was born and raised in Texas and have primarily lived in the Dallas area. I have always been interested in anything design or art related, whether it be fashion, digital media, photography, architecture, or interior design. I chose to attend El Centro not only for the interior design associate’s program but also to save money and stay close to family. I have enjoyed the diversity of this campus and the feeling of being in the city. A fun fact about me is that I did voice acting as a child. From 2015 to 2018, I voiced announcements for PBS Kids between episodes, letting viewers know the schedule of upcoming shows. Although it wasn’t for a major TV show, it was my first experience with a large company and a valuable learning opportunity. Growing up as a painfully introverted person, acting taught me how to project a more extroverted persona when necessary. Last year, I took mostly core classes and a few dance classes at Brookhaven campus, initially considering a dance major. Although I love dancing, I realized that interior design aligns better with my passion for designing and drawing. Growing up, I enjoyed building and decorating houses in Minecraft and often drew building designs, so turning interior design into a career feels like blending a long-time hobby with my professional goals. I have not completed many projects yet, but I have loved the ones I have worked on so far. I always aspire to go above and beyond, and interior design allows me to express this. It gives me a sense of accomplishment and productivity that I have not felt in other careers I have explored. College has presented many challenges for me. Initially, I struggled with finding a clear direction, which often left me feeling unmotivated and aimless. I felt as if I was working towards a nonexistent goal. However, discovering interior design transformed my perspective. Despite being tedious, I’ve found joy in every project and am eager to continue exploring this field of study. After graduation, I’m still unsure about my specific path. While I want to work in interior design, I haven’t yet decided whether to focus on commercial or residential projects, or what role I’d like to pursue. I’m hopeful that as I gain more experience in the field, I’ll discover the opportunities that are the best fit for me. The advice I would give to incoming students is to never give up! Although it sounds cliché, I understand the feeling of being in school and feeling like there is no purpose, especially when what you initially want to do does not work out. Finding a major you like is not easy for everyone and often life can get in the way. However, finding what you enjoy is very rewarding and worth the uphill climb.”
INDS 1301 - Wallpaper Design
Wallpaper has a rich history that dates back to ancient times. Early forms of wallpaper were used in China during the Tang Dynasty (618–907 A.D.), where they were made from rice paper and decorated with intricate designs. In Europe, the use of wallpaper began in the 16th century, with early examples being hand-painted or block-printed on paper. By the 20th century, wallpaper became a staple in interior design, with a wide range of patterns and materials available, reflecting various design trends and technological innovations. In our Basic Elements of Design (INDS 1301) my students created and printed their own period-specific (Victorian, MCM, Craftsman) wallpaper by combining hand-drawn techniques with digital technology. Wallpaper design is an important aspect of interior design that students should learn about for a well-rounded skill set. It allows them to enhance the aesthetic appeal of a space with various patterns, textures, and colors, offering versatility in design choices. By understanding wallpaper design, students can create personalized and cohesive interiors, tailored to individual client preferences and current design trends. This knowledge also helps them make informed decisions about materials and integrate wallpapers effectively with other design elements. Proficiency in wallpaper design equips students with practical experience and the ability to communicate their ideas clearly to clients. This hands-on skill can set them apart in a competitive field, ensuring they can tackle diverse design challenges and contribute to creating visually compelling and functional spaces.
Student Profile - Dulce Rivera
Meet Dulce! Her talent for design, particularly her hand-drawn wallpapers, is truly remarkable. It’s a joy to have a student like Dulce in class; her outstanding work inspires her fellow students every day. Dulce wrote: 'my name is Dulce Rivera. I’m a first-year interior design major. I was born in Texas but raised in Guanajuato, Mexico. I chose to attend El Centro for the Interior Design associate’s program because it is close to my home, so I don’t have to travel a long distance. When I was a kid, my dream career was marine biology or botanical biology because I love nature and really enjoy being surrounded by it. However, when I was 13 years old, I was introduced to architecture. In Mexico, I took three years of architecture classes, which sparked my interest in the field. Some time later, I discovered interior design, and I was really drawn to it, especially because it's a form of design. I love to create, mold new things, and make crafts. Even though deep down I wanted to study biology, interior design feels much easier for me because I consider myself a very creative artist. At that time, I was entering the art world, so taking a pencil and creating something is easy for me. In high school, I completed many projects for my art class, and I remember that two of my projects were selected to be exhibited in a museum. However, my teacher asked me if I could leave them in class as an “inspiration,” so I accepted. I was, and still am, excited that my art helps inspire other artists. College has influenced me a lot, especially in my personal growth. Personally, I am a shy person, but college has helped me gradually overcome that shyness. I think there are many challenges I have faced during college; one of them has been speaking English. I am not used to speaking it, so it is difficult for me to express myself and my opinions in front of others. Regarding my professional future, I have no specific plans for after graduation, but personally, I want to travel around the world before I enter the working world and lose the time to enjoy life. To incoming students, I would say: Don’t give up! Find something that makes you happy. Life can be hard, but every drop of sweat and every tear will be worth it in the end'.
INDS 1311 - Fundamentals of Interior Design - Scale, Volume & Space Planning
In this practice, we started exploring 'scale' and 'volume' by designing a multi-room space using a bubble diagram, which we then transformed into a massing model. Scale in particular, is vital in interior design because it ensures that furniture, fixtures, and decor are proportionate to the room and each other, creating visual harmony and balance. It affects functionality by influencing the usability and comfort of the space, ensuring that elements are appropriately sized for their intended use. Proper scale also helps in spatial perception, allowing designers to manipulate how a space feels and flows, and maintains design cohesion by ensuring that all elements work together seamlessly. Massing or block models are important tools in architecture that help visualize and conceptualize the basic form, volume and scale of a building or complex. They allow architects to explore different design options, understand how a structure fits within its site and context, and assess factors like scale, proportion, and shadow impact. By providing a tangible representation of a project, massing models facilitate communication with clients and stakeholders, and support regulatory and planning processes.
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Student Profile - Sofia Villegas
It's not every day that I have a student with a genuine architecture background in my class. Having students like Sofia motivates me to raise my standards as a professor. My students aren't just recent high school graduates; they - sometimes - include professionals from art and design who contribute a wealth of knowledge and experience to our discussions. Sofia wrote: "my name is Sofia Villegas, I am from Colombia, and I arrived in Dallas in May 2022 with the goal of learning English. During the first two years I was studying English for Speakers of other languages (ESOL) at Dallas College with F-1 visa for international students and I am currently studying the first semester of Interior Design at Dallas College. All my life I have had a very deep passion for aesthetics in all its representations; I have loved fashion and jewelry design since I was a child, as well as photography, the aesthetics of architecture, color combinations, textures, furniture and fine arts. I have also always had a fascination with crafts. Having said that and putting everything together, I developed a strong motivation to study architecture very early on. When I graduated as an architect 15 years ago, I discovered that I could study interior design and from that moment it became my dream, although I focused more on the construction of mega-projects and for that reason after a couple of years of working in housing projects, offices and commercial spaces I decided to do a specialization in construction project management because it was the area where I was growing professionally and which has opened many doors for me, despite that I never left aside my goal of being interior designer. One of my greatest reasons for be pride is that two and a half years ago, when I was 36 years old, I arrived in the United States with an immense barrier of the language as a Spanish Speaker, confused and limited without being able to say a single sentence in English or understand what people told me. The process is just beginning and every day I learn a new word or phrase with which I expand my vocabulary, and my horizons. My plan after graduating as an interior designer is to combine my knowledge in both the architectural and interior design stages and have the ability to create integrated projects thought of in every detail from the beginning. It is never too late to learn a new language, to study what you have dreamed of, to explore the world or to go live in another country. With determination, self-motivation and discipline, life's goals are achieved. Be constant and responsible with your projects, think that every activity you do at the College will be part of your portfolio to start your professional life".
INDS 1301 - Basic Elements of Design - Cardboard Concept Models
In our Basic Elements of Design class, my students experimented with ‘cardboard concept models’, which are a cost-effective and versatile tool in architecture and interior design, allowing for rapid prototyping and hands-on engagement with ideas. This was a fast-paced project that demanded quick thinking, a new experience for the first-year student. It involved creating a sketch, building a prototype with corrugated cardboard, and crafting a final model using museum board. These models facilitate quick iterations, enhance visual communication, and align with sustainable practices due to their recyclability. For interior design students, experimenting with these models is vital as it deepens their understanding of spatial relationships, proportions, and scale while encouraging creativity and innovative problem-solving. Models also serve as effective presentation tools, helping students articulate their ideas clearly and collaboratively.
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Visiting the Historic Adolphus Hotel
We, once again, had the pleasure of visiting the historic Adolphus Hotel in downtown Dallas, this time accompanied by the wonderful lead concierge, Mr. Dan Macey; his passion for architectural history truly shone through during our insightful tour. We are grateful to have such an invaluable historic site just two blocks from our campus and appreciate the welcoming and generous staff at the Adolphus, who are dedicated to educating both students and the public about Dallas's rich history and its remarkable buildings.
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Student Profile - Amy Rodriguez
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Please meet Amy! Amy wrote: "my name is Amy Rodriguez, born and raised in the big city known for the Dallas Cowboys, Big Tex, different cultures, a whole lot of traffic, and where our 35th president was assassinated, Dallas, Texas. After giving the art industry, a lot of thought. I decided to enroll as a full-time student in El Centro Dallas College to pursue the dream of becoming one of the most known interior designers in the nation. Art can be many things: sculptures, puzzles, music, history, decorating and my favorite of all, interior design. I chose Interior design as my major to be able to share my talent and passion for those who don’t know where to begin on having a way of making their home, work, or any room, feel like their own. I learned that in this major I have to be open minded of other’s ideas and making it happen for them. Growing up around blueprints and having to see a house that was designed on paper come to live, is what inspired me to choose this major. I have loved going to my dad’s job sites (he works on residential framing) ever since I was little. Looking at modern houses every time we pass by is my stress – relief and I get to learn while he’s at work. I have academically achieved so much during my senior year in high school, but the best one yet was getting to design a “Shoe Box Room.” This project gave me the ability to express my ideas and design a room that I could see myself in the future calling this, my living space. I love the idea of family business. Helping communities or anyone is something that I have fun with. I believe that giving a hand to anyone can do you a favor and may be a reward afterwards. Going to Mexico to see family, gathering to talk, going out to eat together, and/or going to the market. I would advise incoming students to come to class every day because you never know what you might have missed; important lectures, extra information that might help you better understand the concept, and amazing examples that are given. As for my first year in college, I’ve learned to organize, which homework I should work on first for me to finish everything on time and how to take little steps to becoming more confident in my presentations, which will take some practice skills".
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INDS 1301 - Basic Elements of Design - Color Theory & Mandalas
Mandalas are a valuable tool for interior design students in learning about colors, as they facilitate exploration of color theory and emotional impact. By experimenting with color combinations within these intricate designs, students can see how hues interact and influence mood. Mandalas provide cultural insights into color perception, enhancing students' sensitivity in design. For this project, we selected a collection of Inca Mandalas from Peru created by Luis Felipe Mujica.
Student Profile - Halimah Odeh
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It’s a pleasure to have Halimah in class this semester. She’s a talented student with a wonderful sense of humor and serves as a bridge between Eastern and Western cultures. Her artistic contributions, which reflect her heritage, are invaluable. Halimah wrote: 'my name is Halimah Odeh. This is my third year in college, and I am majoring in Interior Design. I am a Palestinian, but I was born in Jordan. I moved to the United States in 2018 and since then I started my journey to achieve my goals by studying and working for a better future. Interior design is a beautiful dream to achieve, I chose this career knowing that I could do it, knowing that I would get into a result, and knowing that it would help the world. The moment I was sure I could be a designer, is during 2020, when I started to build my family’s house on my laptop using (Live Home 3D) app; I created the house from zero to the very last detail. I was so proud of what I have done while I wasn’t even studying interior design at that moment, and this project turned out perfectly. I have been at Dallas College for the past three years; I have done an Associate of Arts degree. At the beginning of my journey, I struggled with the English language, but I told myself that will not stop me at all and I will get to my goal one day. After I finish my Associate of Interior Design, adding to my degrees I would still want to search to continue and get to something that lets me say “this is the end of the way; I deserved that”. I have been an artist girl during my childhood until this moment. I do all types of arts, I wanted to be an artist during high school, but I said using my experiences I can do art and architecture at the same time! Thanks to my family that supported me and believed I could do it. I would like to share some advice that changed my life. Always learn something new! Try different things from different perspectives! Because believe me when it’s time to choose your career you will have a lot of opportunities and whatever you choose from them, you will always see yourself in the first place knowing a bunch of information even though you never saw yourself fit in this place. Finally, I’m grateful for my college and professors, for making me fall in love with school!'.
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INDS 1301 - Basic Elements of Design - Texturing
Experimenting with textures is essential for interior design students as it enhances visual interest, creates a tactile experience, and influences mood and atmosphere. Texturing refers to the process of creating or adding a surface quality or detail to an object, often used in various fields such as art, design, and 3D modeling. Textures add depth and dimension to spaces, inviting interaction while also serving practical functions, such as durability in high-traffic areas. Mastering texture layering leads to cohesive designs, and understanding cultural and historical contexts enriches students' appreciation of various styles. In this project, students had the opportunity to create textures using a variety of mediums, including textiles, paper, yarn, and more. It was truly exciting to witness how their initial design concepts evolved through experimentation with different materials, ultimately culminating in their final artworks.
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Student Profile - Genesis Warren
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I’ve had the pleasure of working with Genesis since Fall 2023, and it’s been a tremendous joy to witness her growth as a woman and a design-focused individual. Genesis wrote: 'my name is Genesis Warren, and I am from Dallas. I am majoring in Interior Design, and this is my second year at Dallas College, El Centro. I chose to go to El Centro because I was unsure if college was for me, so I wanted to pick something that wouldn’t put me in debate. Community college is an excellent start if you’re just coming out of high school or looking to go back to school. I come from a family of artists. My mom went to school for fashion design, and my dad went to school for arts. My passion for designing rooms in my house inspired me to pursue my current major. The project I am most proud of is my Monochromatic Mood Board, which I did in the fall of 2023 for my fundamental interior design class. It challenged my mind, and I love challenges. I got to experiment with different types of fabrics, woods, backsplashes, colors, and so many other materials, which was fun. Going to El Centro has opened my mind. I was shy and had never really talked to people for most of my life because I feared judgment. When I got to college, we got to present every project we did, and it made me more comfortable talking in front of people; now I love doing it. I have grown so much after starting my degree in interior design; I have learned how to speak, present myself and my work, and be more organized. After graduation, I want to go into real estate because it’s mainly where my heart is. I want to stage homes, buy, flip, and sell them. Some advice for incoming students is to learn how to manage their time. Don’t stress yourself out too much. Don’t take too many classes simultaneously; give yourself some time. Making friends may not seem that important, but it is. Making friends can help you get through your classes, especially if you have group projects. Making friends in class helped me become more comfortable talking with people and has helped me express myself.'
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Visiting Registered Historic Landmarks - Dallas City Hall by I.M.Pei, 1978
Even though our first-year students are incredibly busy wrapping up their projects with just four weeks left in the semester, we still found time to learn about the legendary architect I.M. Pei. We ventured outside the building, crossed the river - literally - and visited City Hall, where we enjoyed stunning views of the cityscape.
INDS 1311 - Fundamentals of Interior Design - Indigenous Inspired Textile Design
Understanding textile design is crucial for interior designers, as knowledge of various soft furnishings is a key aspect of the profession. Key concepts like aesthetic appeal, functionality, and comfort play a significant role in design choices. Textiles also greatly affect the mood of a space, and being familiar with different materials enables designers to make informed decisions. With sustainability becoming increasingly important, awareness of eco-friendly options and cultural contexts enhances the depth and relevance of design elements. In our Fundamentals of Interior Design class of 20, my students experimented with creating new designs inspired by existing images. Some of these inspirations came from tribal and indigenous patterns, while others drew from modern examples. Indigenous textile patterns hold profound significance, reflecting the traditions, histories, and values of their communities. Often rich in cultural symbolism tied to nature and spirituality, these textiles are crafted using traditional techniques and natural materials. Each region showcases unique styles, such as the geometric patterns found in Native American textiles and the intricate motifs of Andean designs. These textiles not only preserve cultural heritage but are also being adapted by contemporary designers. The textile designs were then emailed to a New York based printing company, where they were printed and showcased in the Interior Design Department at El Centro.
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Presentation(s)
From hand painted designs to printed textiles...
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INDS 1301 - Basic Elements of Design - Serial Planes Model Making
Architectural serial planes are typically used for design and visualization purposes in the field of architecture and interior design. These models are physical representations of a building or interior space that are created to help architects, designers, and clients better understand and evaluate a proposed design. Learning about architectural serial planes is highly significant for architecture students as it provides them with a fundamental understanding of spatial organization, design principles, and the art of translating two-dimensional drawings into three-dimensional spaces. Mastery of serial planes allows students to visualize and conceptualize architectural ideas in a tangible way, while increasing their ability to create aesthetically pleasing, functional, and structurally sound designs.
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INDS 1301 - Last Project - Furniture Design
Group projects play a crucial role in interior design education, as they simulate real-world professional environments where collaboration, communication, and teamwork are essential. Through these projects, students learn to effectively divide tasks, share responsibilities, and work together toward a common goal. The diverse skill sets and perspectives each team member brings encourage creative problem-solving, creating a dynamic exchange of ideas. Group work also provides opportunities for peer-to-peer learning, allowing students to observe and adopt different approaches to design and construction, further broadening their knowledge and experience. In the context of designing and building cardboard models - particularly a functional, life-sized side table - group projects become an invaluable hands-on learning experience. Working with cardboard challenges students to explore material constraints and how those limitations affect their design decisions. Scaling up to life-sized models requires students to engage with the physical dimensions of their designs, ensuring that their creations are not only aesthetically pleasing but also proportionally and ergonomically sound. Understanding how furniture fits within a space and relates to human dimensions is vital for creating comfortable and functional interiors. After developing prototype models individually, students came together in groups to scale their designs up and build life-sized versions of the side table. Watching them collaborate, laughing and engaging with each other, was incredibly rewarding. It was inspiring to see them apply all the skills they’ve honed throughout the semester - everything from material exploration to teamwork and problem-solving - coming together in a real-world context.
Conceptualization
Prototypes
Life-size Side Table - Construction
Final Models
Presentation(s)
A Very Special Visit
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Last week, we had the pleasure of welcoming ASID CEO, Mr. Khoi Vo, who traveled from Washington, D.C. to visit our department. He gave an engaging presentation to our students, discussing the importance of education in interior design and the expectations of the industry. Our students received some exciting news as well - they will each receive a complimentary annual membership to ASID as Student members soon. Mr. Vo 'has over two decades of experience across interior design, architecture, and education. In 2002, he founded Studio Four Los Angeles. He later founded Khoi Vo Design and was the studio’s design director for 12 years. Vo began his career at California State University as an assistant professor for the interior design program. He later became a professor and chair at Savannah College of Art and Design (SCAD)’s department of interior design before teaching at the University of North Carolina Greensboro' - Link.
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INDS 1311 - Fundamentals of Interior Design - Color Theory
Creating a color theory concept board for interior finishes involves defining the objective, gathering inspirational materials, selecting a color scheme based on principles like complementary or monochromatic, choosing interior finishes such as paint colors and furniture, arranging these elements visually on a board for coherence, including texture and material samples, labeling and annotating details, considering lighting effects, reviewing and refining, and finally, using the board as a reference for implementing the chosen finishes in the actual space. The concept board serves as a valuable tool for conveying the design vision and guiding decision-making throughout the project. Observing students as they explored the textile and materials library and witnessed their design process and creative thinking unfold was a truly delightful experience.
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Happy Holidays!
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We just wrapped up our final class and managed to step aside for a quick photo with some of my wonderful students before finishing up our last session, which included cleaning the studio and putting away the art work. This past semester, my first-year students did an amazing job. Some of them completed four studio classes, which was an incredible amount of work. They collaborated, stayed positive and energetic, and many produced outstanding work. We spent most days in the classroom for a solid 10 hours of instruction and practice, with many students staying up to 5 extra hours to finish their projects. After such dedication, we're all looking forward to a well-deserved holiday break. Happy holidays, and see you in 2025!
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Spring 2025
Let's Talk About it!
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Last week, I had the pleasure of meeting with the program representatives from Healthy Futures of Texas. In collaboration with Talk About Texas, their mission is to enhance the well-being of young Texans by ensuring equitable access to sexual health education, contraception, and essential resources. Their office, located on Swiss Avenue in one of Dallas’ oldest historic districts, was the perfect setting for a lovely walk from campus. Today, their team joined us for an insightful, hours-long workshop that our students found incredibly valuable. We’re looking forward to welcoming them back for another class in the near future, and we’re truly grateful for the important services they provide.
Meet Our Very First Tutor!
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I’d like to take a moment to express my gratitude for my incredible student, Cassi, who so generously dedicated her time in class to help her peers achieve the same success she was experiencing in her design work. I’m proud to have recognized her talent and her compassionate nature, which led me to nominate her as our very first and much-needed tutor in the Interior Design Department. Cassi, who is fluent in Spanish, initially helped a few Spanish-speaking students better understand the architectural scale, which was a highly successful first step. This led to her official hiring by Dallas College, a remarkable achievement for a student in her third semester! I’m excited to see where Cassi’s journey takes her and feel incredibly fortunate to know her.
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Visiting a Registered Historic Landmark - The National Shrine Cathedral of Our Lady of Guadalupe, 1902
In our History of Interiors class, students are studying Victorian Revival architecture, and we are fortunate to be just a short walk from the vibrant Arts District and the stunning Cathedral of Our Lady of Guadalupe. We recently visited the cathedral to learn more about Nicholas J. Clayton, who is considered the greatest Victorian architect in Texas. The church, a long-standing pilgrimage site, especially for Catholics from Mexico and Latin America, is a National Shrine with significant historical and cultural importance in the community. Construction of the current cathedral began after the land was purchased for $30,000, which, adjusted for inflation, amounts to more than $745,000 in 2025. The cornerstone was laid on June 17, 1898, and the cathedral was officially dedicated on October 26, 1902 (source).
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Dallas Pedestrian Network - Site Visit
Throughout history, royalty and wealth have often led to the creation of private corridors and passageways designed for easy, secure movement between important locations. One of the most notable examples is the Vasari Corridor in Florence, Italy. Built in 1565 by Giorgio Vasari under the orders of Duke Cosimo I de' Medici, this elevated passageway was intended to provide the Grand Duke with a secure route between his residence and the government palace. Following the Florence Flood of 1966, when the Arno River overflowed and devastated the city, the Vasari Corridor suffered structural damage. Many of its priceless artworks and artifacts were endangered by the floodwaters. However, after years of dedicated conservation work, the corridor was carefully restored and reopened to the public in 2024, marking a pivotal moment in art conservation. Similarly, in downtown Dallas, a transformation is taking place as many financial towers are being converted into residential apartment buildings. This shift is increasing the importance of the city’s underground tunnel system, originally conceived by Vincent Ponte, an urban planner also responsible for Montreal's Underground City. Local businesses are hopeful that the influx of new residents will revitalize these tunnels, mirroring how historical concepts of private passageways are being re-imagined to suit modern needs, particularly in response to Texas’ harsh climate. This week, we are exploring the history and resurgence of underground tunnel systems, examining how concepts like the Vasari Corridor have influenced modern urban planning. The story of the Vasari Corridor, from its creation to its near-destruction in 1966, illustrates the enduring value of private passageways, as well as the resilience of cultural heritage in the face of adversity (images & text collected from various websites).
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INDS 2313 - Residential Design I
We have just begun working on one of the tree projects in the Residential Design I class, which is typically taken in the second semester. This course focuses on designing living spaces, including client needs analysis, and teaches students about standards and building codes, space planning, drafting, and presentation techniques. What makes this course especially comprehensive is that students learn to integrate the technical and presentation skills they acquired in the previous semester into a unified project. They have the freedom to use a variety of software, including Photoshop, CAD, SketchUp, and various mood-board creation tools. In the initial phase of the project, students delivered impressive presentations that addressed their clients' expectations, with particular attention to accessibility and sustainability. Next, they will design a 'tiny' house based on their individual clients' needs. I can't wait to see the results!
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The first project involved reading several chapters from the textbook and reflecting on what the students learned in a Power-Point presentation. Research shows that students tend to retain textbook information better when a creative platform, such as Canva, is used and when the reading is self-paced. The next stage will involve creating both a 2-D and a 3-D computer model of a Tiny House, accompanied by a detailed set of construction documents. Once the final phase of this project is completed, students will select a winning design, and we hope to create a life-sized blueprint of that design on campus.
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Closing in on final floor plans in CAD, drafting construction documents, rendering designs in SketchUp, and gearing up to present our Tiny House project!
INDS 2313 - Residential Design I - Selected Project
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Valeria wrote: In this tiny home project, I designed a compact but functional space for a specific client based on their values and needs. Learning about the regulations of tiny homes, getting familiar with the International Residential Code (IRC), and putting my knowledge into practice has been a fulfilling learning experience. As a class, we had to take into account clearances, accessible bathroom layouts, support bars, and more safety considerations for our designs. Stepping into the client’s shoes and considering their needs such as mobility, storage, comfort, and hobbies helped me understand how an interior designer approaches creating a space. The core value of keeping a sustainable footprint has led me to research eco-friendly materials like reclaimed wood and explore energy-efficient design practices. Through this project, I learned how to use professional software programs such as SketchUp and Lumion. Exploring their features through trial and error has been essential for helping me create a space I’m truly proud of. Overall, this experience taught me how intentional design can make even the smallest spaces into meaningful and functional homes.
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INDS 2313 - Residential Design I- Final Presentation
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INDS 2313 - Residential Design I - Blueprint Installation
One of the final stages of the tiny house design project was to create a life-sized blueprint of a selected design. To ensure a fair and democratic selection process, we first chose a winning design from each group (we had 4 groups). From there, two additional designs were selected for the final round, and ultimately, one winning design was chosen. Ms. Halimah Odeh emerged as the winner after presenting her project to the class. Although all 15 students worked tirelessly to create functional and sustainable tiny house designs, time constraints allowed us to build only one full-scale floor plan - Halimah's.
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Visiting Dallas Museum of Art
The Renaissance period is crucial for interior designers as it introduced key principles like proportion, symmetry, and perspective that continue to influence design today. Its focus on balance and humanism led to more harmonious and expressive spaces, with an emphasis on luxurious materials, intricate details, and symbolic elements. The development of linear perspective in art also informed spatial layouts, making rooms feel more expansive and balanced. Renaissance architecture, with its arches, columns, and vaulted ceilings, has had a lasting impact on classical and neoclassical interior designs. Spring Break is just two weeks away, and now is the perfect time to visit the Dallas Museum of Art, a short walk away from the campus, and explore the Renaissance period in person. Since most of my students take this class online - in two full sections - our in-person class is nice and small, making it easy to organize quick site visits to various locations.
Visiting DMC
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We are excited to soon visit the Dallas Market Center (DMC), a hub for home furnishings that has been in business for nearly seven decades. Located just a short train ride from our campus, DMC serves as a key venue for the industry. For interior design students, exploring showrooms and learning about the trade provides hands-on experience with real-world products, materials, and design trends, helping them understand the quality, scale, and language of the industry. Showrooms also offer insights into vendor relationships, professional practices, and space planning, while inspiring creativity through effective displays and immersive environments.
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Visiting a Registered Historic Landmark - The Old Red Museum, 1890
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Last week, my students were studying Romanesque Revival architecture, and since we're fortunate to have a Romanesque building right across the road from campus, we took a quick visit to this monumental structure. The Old Red Museum of Dallas County History and Culture, housed in the former Dallas County Courthouse, showcases the city’s resilience and rich architectural heritage. Built in 1890 in Richardsonian Romanesque style, the building is constructed primarily from locally sourced materials, including Pecos red sandstone and limestone from White Rock Creek. This design was chosen for its durability, as previous courthouses on the site had repeatedly been destroyed by fire. The exterior is characterized by its massing, heavy masonry walls, and distinctive features like large round arches, columns, and turrets. The building’s stone and steel construction was intended to be fireproof, a response to the previous courthouses' destruction. Sadly the building is no longer open to the public, but we continue to enjoy its presence from our campus.
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Visiting a Registered Historic District - Swiss Avenue, East Dallas
My students have been learning about the various architectural styles that arrived in the U.S. during the early 1900s, and there's no better place to see well-preserved examples of these styles than Swiss Avenue. Just a short train ride away from our campus, it offers the perfect opportunity for us to explore them in person. The Swiss Avenue Historic District in Dallas is a charming neighborhood known for its well-preserved early 20th-century architecture, spanning about 20 blocks with Swiss Avenue as the central street. Developed in the early 1900s as an upscale residential area, it features homes built between the 1910s and 1930s in various styles like Colonial Revival, Mediterranean Revival, Neo-Classical, and Prairie School. The district remains a symbol of Dallas' early prosperity and is a Dallas Landmark District, ensuring the preservation of its historic homes. The district is also known for hosting the annual Swiss Avenue Home Tour. Notable homes, such as the Wilson House, showcase unique architectural features like asymmetrical façades, a turret, and patterned wooden shingles. The Wilson House is particularly significant for its Queen Anne architecture and includes a Servant’s Quarters and Carriage House, which have been restored and now serve educational purposes for Preservation Dallas. Unfortunately, the house was unable to offer us a tour of its magnificent structure due to the recent removal of government grants.
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Designing Her Story - A Project
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This semester, with a lighter studio teaching load due to several online classes, I have the opportunity to focus on some long-overdue projects. One of these is celebrating American female architects, a particularly relevant topic here at Dallas College, where the majority of my students are women. American female architects have played a vital role in shaping the field by breaking barriers, pioneering innovative designs, and advocating for gender equality and diversity. Despite facing early challenges in a male-dominated profession, these women have redefined architectural norms with groundbreaking projects that have had significant social impact. Their contributions have not only transformed the built environment but have also advanced representation and equality in the profession, leaving a lasting legacy in architecture.
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Visiting a Monumental Landmark - Plaza of the Americas, 1980
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With just a couple of weeks left in the semester, we decided to take one final field trip as the class explores modernism. Our destination: Plaza of the Americas, a landmark $100 million mixed-use development in downtown Dallas. Announced in 1977 and completed in 1980, the complex includes twin office towers clad in dark gray glass and a hotel/garage built with poured-in-place concrete, all organized around a dramatic enclosed atrium. Plans once called for 100 housing units to be built above the garage, though it’s unclear if those were ever completed. Over time, the complex became a central node in the Dallas Pedestrian Network through a series of skybridges and underwent renovation after being sold in 1990. Since then, it has hosted a range of events from sculpture exhibitions to squash tournaments. Harwood K. Smith envisioned the Plaza as a vibrant, integrated urban hub - an innovative space where people could live, work, shop, and gather in one dynamic environment. In preparation for our visit, I’ve asked students to watch the film RoboCop, which features several of the Dallas sites we’ve studied this semester. Let’s see how many locations they can recognize on-screen!
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2025 Interior Design Showcase
Once again, we gathered to celebrate our incredible students, whose quality of work - after just a couple of semesters at our college - is truly out of this world. It was a joy to welcome their parents, partners, and children, making the event even more special. As our student numbers and the volume of artwork continue to grow, we're hopeful for a larger venue for future gatherings, and, ideally, a bigger building for our department to accommodate all the creativity flourishing here. We were also delighted to welcome several members of the ASID Texas Chapter, whose visit added an extra layer of fun to the event. What a fantastic way to warp up another amazing year before heading into summer!
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